the things that could make us cold.
20090217 - 00:09
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An angel. But in the dark.
We speak of a setting, a backdrop. A venue to a tragedy. The murder of a cherub. The obliteration of a life's hopes and joy. Merciless, uncompromising with absolutely no humane form of judgement. It is the anguish and sorrow suffered by the parents that is scripted to drive the story. The nature of tragedies, i like, i like the drama.
We speak of the ambiguity and duality of the accused. The unassuming appearance, the malevolent unpredictability of his personality and nature. Why.? Absolutely senseless, to reason for reasons he is. A multifarious identity, translated to a character belonging to the shadows. The sillhouette effects brings forth the entity of the cause, surreal in the eyes of the parents. A certain fear of facing the face of the mulifaceted, he torments and fragments the mind and mentality of the suffered. And for that, the fragmented notion.
We speak of the permanence and temporary, how the stage resides the scenes. Transcending the ephemeral, we wanted a predetermined set, some sort irrevocable. Paralleling the imagery of the parents puzzled thoughts and mind, the fragmentation of forms speaks volumes to creating the proper setting for each scene. Abstract in nature, there will be no need for accurate depictions; no car, no bench as the script prescribes. Spectators are immersed to the libretto and motion of the performers, the intangibility of performing art. Indeed, it is the matter of the sensation.
We speak of reality against the memory. The virtual recollections of affairs and feelings piercing through each fragment of event, a corporeal presence is needed to counter the insubstantiality of the fragments. A tree. Honest and organic, its existence facets a locale for the parents in their narration along with the scrupulous delineation of reality against memory.
We speak of the speaking of the nonspeaking. In order to depict a sense of loss, a stature was first neccessary to portray the deceased, only then can it be truly lost in the eyes of the viewers. A figure of hope and pure innocence, the limbs of the figure are binded by a long cord of red. The spirit and soul, it's life as a whole, corresponding to the sheer crimson attachment, only to be vividly snapped by the fangs of the murderer.
Significantly, we should speak of the weariness the massacre has inflicted on the parents. How helpless they are in understanding and bringing justice against such a pittiless petty. No motive or purpose to dispute and persuade, an insolvable jigsaw puzzle that can only be left unresolved. It is a story of redemption, a salvation. The sheer anarchy of the twofolded Karl.
Oh, the creeeps.
wtcrap.?
gasp, the duality.!
hahahaha, wtf damn cute. Karl unleashed.
Jeng jeng jeng, sneaky sneaky.
HAhahhaa, omg can diee....
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